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Bolanle Olosunde-Jenrola, is a storyteller and content producer that is excited about exploring various communication media to entertain her target audience, and at other times to promote corporate objectives.

Bolanle believes that stories make the world a better place. It fuels our imagination, challenges the status-quo, and helps us embrace new ideologies that could be progressive and helpful in achieving real life goals.

Her Chef, His Crush, A Chance – Episode Nine

“You are a baby,” Funmi said as Kayode painted her toenails. The lockdown had definitely brought out a side of her she didn’t even know she had. This was the first time in forever that she just sat leisurely in her living room with no work-oriented tasks. She had come to realise that with Kayode, there would be many first-time-in-forever experiences. With no new contracts at the moment, she had more time on her hands to play, so she allowed herself to breathe and get to know this man who had become so important to her. The timing of the relationship was so appropriate for growth. Two Sundays ago, while at her office, Funmi had given up on the possibility

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The Accelerate Filmmaker Project

The Accelerate Filmmaker Project like its name implies is the brainchild of Accelerate TV, and was inspired by Colette Otusheso, who is always excited about empowering and giving back to young people in our society. The program was targeted at young Nigerian filmmakers who are passionate about cinematic storytelling. It was designed to train those who qualified for the first phase of the project, which was a competition round, and eventually select five finalists whose short films will be

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Ten Days in Sun City

If I didn’t write about this film, I think my T.J would have written it, because I’ve spoken so much about it that he might as well be the movie reviewer himself. Not just because of my excitement about the story, but for my respect for the Producer AY, a man who understands the business behind the craft. The story was entertaining, thrilling, and funny no doubt, but that wasn’t why it made plenty millions in the box office. Ayo Makun gets it. He understands that making films is a business just like selling clothes, shoes, or Jollof rice, so he packages it like a product.   He doesn’t just find a story, shoots it, and naturally expects that the audience will love it. He rubs it so much in their faces

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